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POCKET KINGDOMS: REIMAGINING MOBILE GAMES

FOR SUCH A new medium, mobile games have already gathered quite the set of negative connotations. At best, they’re regarded as the EPs of the gaming world, tiding players over until the LP comes out, or released simultaneously as bonus material (Fallout Shelter is an example of the former, the GTAV app of the latter). At worst, the commentariat derides new mobile ventures as a cynical cash-grab, particularly when they’re tied to a pre-existing series. Between the two extremes, they tend to be viewed as a necessary industry-wide evil to which even revered giants like Nintendo must pay tribute if they hope to survive.

John Peck
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MEETING MARZAHN: FROM PLATTENBAUEN TO THE GÄRTEN DER WELT

Marzahn, in the far northeast of Berlin, isn’t exactly a standard Berlin hotspot. You could spend a lifetime in Berlin without ever setting foot in this former GDR suburb, and while it’s easy enough to reach by train or tram, it’s not exactly on the way to any notable destinations, and lies past other eastern attractions like the Tierpark and the Muggelsee. But as Marzahn resident Bertie Alexander writes, “There’s a secret pleasure in not being caught up in the incessant hype and stereotypical lifestyles of Berlin,” which is a sentiment that rings true for many of us who live in the city’s less-hyped outlying districts. (You can read his excellent piece in its entirety here.)

Aesthetically, Marzahn is something of a time-capsule of the former east, particularly in its housing: as examples of Berlin Plattenbauen go, Marzahn is the ne plus ultra in both quantity and quality. Plattenbauen (“panel buildings”, roughly)—the endlessly-reproducible housing towers that could be stacked indefinitely like brutalist Legos—were one of the trademarks of the former East Germany, along with many other communist countries. These towers of white or gray concrete, accented with whimsically-colored balconies, were megalithic kitsch, sky-high projections of dark whimsicality built to offset crises of overpopulation (particularly, in the case of Marzahn, stemming from immigration from Eastern Bloc countries from the 1960s onward).

John Peck
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