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SOVIET SEASONS

PHOTOGRAPHER ARSENIY KOTOV takes a hands-on, boots-on-the-ground approach to photographing his home country. His new book, Soviet Seasons, is the result of traveling vast distances across Russia and the former USSR, with the goal of showing “how beautiful and diverse are the cities and nature of this vast region at different times of the year.” For those outside the former Soviet Union, who could perhaps be forgiven for reducing its seasons to either “snow” or “not snow” with each spanning about half the year, the book reveals wonderful gradients of weather, vegetation, and daylight that accompany seasonal change in various regions.

John Peck
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INTERVIEW: DARMON RICHTER

CHERNOBYL: A STALKER’S GUIDE, new from Darmon Richter and FUEL Publishing, is an impressive hybrid: part travelogue, part memoir, part essay. The book weaves together numerous strands of history, mythology, and ecology that intersect at Chernobyl, ranging from Prometheus as an atomic Marxist saint to pop-cultural references like the Fallout games and HBO’s Chernobyl to mushrooms as a potential solution nuclear waste solution. Richter, who has spent decades exploring and writing about what he calls “ideological architecture” (which often, but by no means always, focuses on Communist-era buildings) does an impressive job of unifying these numerous trajectories, resulting in a highly focused and immensely readable study of a fundamentally misunderstood place.

John Peck
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UKRAINIAN RAILROAD LADIES: A TRIP THROUGH THE PAST

IN UKRAINIAN RAILROAD LADIES, photographer Sasha Maslov documents the female workers of Ukraine’s national railway system in photographs that are both exquisitely arranged and highly personal. While brightly-colored uniforms serve as the initial focus, offering a vivid palette of Soviet-era contrasting pastels, the women themselves shine through as the true subjects, standing proudly against an equally-colorful array of backdrops.

John Peck
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ANOTHER ROADSIDE ATTRACTION: SOVIET SIGNS AND STREET RELICS

IN THE MONTHS and years following the collapse of the Soviet Union, countless Communist-era monuments and statues have been toppled, dynamited, or otherwise destroyed. The process continues today, and is particularly accelerated in former Soviet states such as Ukraine, where clashes between pro-Russian activists and Ukranian nationalists often center around (literal) concrete representations of the country’s former occupier.

John Peck
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CONCRETE SIBERIA

THE POZNAŃ-BASED publisher Zupagrafika documents Brutalist, prefab, and other concrete structures throughout Europe, focusing on their minimalist patterns and colorful flourishes. Their newest volume, Concrete Siberia, is a companion to last year’s Eastern Blocks (see our review here), focusing on Russia’s vast far north.

John Peck
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EAST GERMAN MODERN

DURING ITS FOUR-plus decades of existence, the GDR was a unique geopolitical paradox. Its place at the heart of the Cold War conflict belied the simple, day-to-day lives of the vast majority of its citizens. This paradox manifests itself visibly in the architecture of the former GDR, where often-cosmic abstract and geometric tendencies exist alongside the drab and mundane.

John Peck
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