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USSR

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ORTHODOX CHIC

The post-Soviet architecture of Ukraine is a complex and often fraught subject we’ve frequently explored on this site. Kyiv’s Osnovy Publishing is at the forefront of documenting the Soviet architectural legacy, as well as its newfound vernacular architecture, via numerous books that illustrate the patchwork approach to building and city planning in Ukraine since 1990. Its Chic series in particular – which began with 2019’s Balcony Chic, and now continues with Orthodox Chic – offers a deadpan view of the motley, often improvised constructions that define the modern Ukrainian cityscape.

John Peck
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ARCHITECTURE OF CHECHNYA AND THE NORTH CAUCASUS

THE FIRST GUIDE of its kind, Chechnya and North Caucasus: An Architectural Guidebook explores the diverse architecture of one of the former Soviet Union’s least-explored regions. The seven independent republics and two Russian territories that make up the relatively small North Caucasus region represent an incredible array of languages, cultures, religions, and traditions, and offer a correspondingly broad range of architectural highlights, from modernism and brutalism to traditional and Islamic-inspired hybrids.

John Peck
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INTERVIEW: DARMON RICHTER

CHERNOBYL: A STALKER’S GUIDE, new from Darmon Richter and FUEL Publishing, is an impressive hybrid: part travelogue, part memoir, part essay. The book weaves together numerous strands of history, mythology, and ecology that intersect at Chernobyl, ranging from Prometheus as an atomic Marxist saint to pop-cultural references like the Fallout games and HBO’s Chernobyl to mushrooms as a potential solution nuclear waste solution. Richter, who has spent decades exploring and writing about what he calls “ideological architecture” (which often, but by no means always, focuses on Communist-era buildings) does an impressive job of unifying these numerous trajectories, resulting in a highly focused and immensely readable study of a fundamentally misunderstood place.

John Peck
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ANOTHER ROADSIDE ATTRACTION: SOVIET SIGNS AND STREET RELICS

IN THE MONTHS and years following the collapse of the Soviet Union, countless Communist-era monuments and statues have been toppled, dynamited, or otherwise destroyed. The process continues today, and is particularly accelerated in former Soviet states such as Ukraine, where clashes between pro-Russian activists and Ukranian nationalists often center around (literal) concrete representations of the country’s former occupier.

John Peck
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SOVIET ASIA

TOWERING CONCRETE SCULPTURES inlaid with bright tiles, Brutalist housing blocks adorned with intricate patterns: the structures of post-Soviet Central Asia are a study in east-west contrasts, and include some of the stranger relics of the Cold War era.

John Peck
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HOLIDAYS IN SOVIET SANATORIUMS

AT THE CENTER of the Venn Diagram of Brutalist architecture, spa culture and Communist kitsch lies the Soviet sanatorium. In its heyday, the USSR had a network of hundreds of such centers across dozens of territories, from Estonia to Kazakhstan to the Russian Far East. Though their roots lie in the Russian tradition of curative baths, the sanatoriums of the 20th century shoehorned nicely into Soviet ideals of health and responsible rejuvenation, with workers encouraged to check themselves in yearly for a tune-up of their corporal machinery.

John Peck
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ART WITHOUT DEATH: RUSSIAN COSMISM

THE ROOTS OF Russian Cosmism lie in the transcendental utopian writings of the 19th-century philosopher Nikolai Fyodorovich Fyodorov, who advocated for, among other things, the exploration of space and a literal overcoming of death. Inextricably tied to the Russian Revolution and the rise of the USSR, Cosmism promoted broad ideals that mirrored the heart of Communism: that humanity should collectively strive to transcend the petty, temporary, and mundane.

John Peck
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THIS BRUTAL WORLD

THIS BRUTAL WORLD, a catalog of worldwide Brutalist architecture, presents its starkly beautiful black-and-white photos as both a treatise and a love letter. The book’s author, Peter Chadwick, falls resolutely and joyously on the side of Brutalism as an egalitarian, economically progressive, and fundamentally global movement.

John Peck
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