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Berlin

ArchitectureBerlin
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THE WONDERFUL WORLD OF BERLIN TYPOGRAPHY

Berlin Typography is a project dedicated to celebrating the incredible range of sign-based type that proliferates throughout the German capital. It reveals an astounding range of typefaces, ranging from traditional blackletter to midcentury sans-serifs to a bewildering spread of outliers (with a particular soft spot for cursive neon, a signature Berlin aesthetic if there ever was one). 

The project’s tagline, “Words and the City”, evokes the corporeal nature of urban signage, with numerous pictures revealing the particular detail given to punctuation, umlauts, and the uniquely German Eszett (ß).

John Peck
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ArchitectureBerlin
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PHOTO GALLERY: KRAFTWERK CHARLOTTENBURG

Built at the turn of the 20th century, when Charlottenburg was still independent from Berlin, the Kraftwerk Charlottenburg sought to meet the robust electrical needs of the wealthy, growing city. Large pipes transported most of the power across the Spree, which built into the structure of an elaborately-ornamented stone-and-metal footbridge, the Siemens-Steg. Over the following century, its output expanded to include hot water and natural gas, and was able to emerge relatively unscathed from the Second World War. 

John Peck
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AbandonedArchitecture
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PHOTO GALLERY: SCHLOSS DAMMSMÜHLE

EVEN IN A city strewn with such a wealth of abandoned architectural oddities, Schloß Dammsmühle stands out as remarkable—both for its age (the main building is nearly 250 years old) and the remarkable (and infamous) pedigrees of some of its 20th-century owners. Built in 1768, it was alternately improved and abandoned through the Weimar era before being commandeered by the Nazis, and in 1940, Himmler made it his base of operations.

John Peck
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ArchitectureBerlin
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THE SUNDRY SIGNS OF MOABIT

Like most of Berlin, our adopted neighborhood of Moabit has its share of signs ranging from the ridiculous to the sublime, including many that have outlived the stores whose names they bear. This far-from-complete roundup features some of the neighborhood’s most colorful signage.

John Peck
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ArchitectureBerlin
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PHANTOM ARCHITECTURE: THE GHOST THEATERS OF TURMSTRAßE

Phantom Architecture is a series focusing on vanished buildings, both in Berlin and further afield.

Like so many Berlin locations, the corner of Turmstraße and Stromstraße in Moabit saw multiple buildings rise and fall over not centuries, but decades. The first, the Ufa-Palast, was built in 1925 by the state-sponsored Universum Films AG. Designed by the architect Fritz Wilms (who specialized in theaters), it was a massive, 1700-seat cinema, complete with a classical, columned facade, a lavish foyer with its own phone booth, and a restaurant (the somewhat alarmingly named Café Vaterland) in a separate building just east of the theater.

John Peck
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