PHOTO GALLERY: CINEMAS OF THE BERLINALE
All photos taken during Berlinale 2018, 15-25 February 2018.
All photos taken during Berlinale 2018, 15-25 February 2018.
AT THE CENTER of the Venn Diagram of Brutalist architecture, spa culture and Communist kitsch lies the Soviet sanatorium. In its heyday, the USSR had a network of hundreds of such centers across dozens of territories, from Estonia to Kazakhstan to the Russian Far East. Though their roots lie in the Russian tradition of curative baths, the sanatoriums of the 20th century shoehorned nicely into Soviet ideals of health and responsible rejuvenation, with workers encouraged to check themselves in yearly for a tune-up of their corporal machinery.
BUILT BETWEEN 1908 and 1910, the former Schöneberg gas storage and supply tank – better known as the Gasometer – remained in active use for over 8 decades. Finally decommissioned in 1995, its skeletal frame still looms over central Schöneberg.
THE ROOTS OF Russian Cosmism lie in the transcendental utopian writings of the 19th-century philosopher Nikolai Fyodorovich Fyodorov, who advocated for, among other things, the exploration of space and a literal overcoming of death. Inextricably tied to the Russian Revolution and the rise of the USSR, Cosmism promoted broad ideals that mirrored the heart of Communism: that humanity should collectively strive to transcend the petty, temporary, and mundane.
PFAUENINSEL (“PEACOCK ISLAND”), A 100-HECTARE island of forests and meadows on the Havel river, is a singular Berlin curiosity. Its origin as a game preserve dates back to Friedrich Wilhelm I, though it was his great-nephew Friedrich Wilhelm II that first populated the island with the eponymous birds. The island’s current peacock population, descendants of the originals, roam the island freely alongside human visitors (and the occasional pack of grazing sheep), and their distinctive hair-raising calls, which can be heard kilometers away, add to the surreal and otherworldly atmosphere.
THIS BRUTAL WORLD, a catalog of worldwide Brutalist architecture, presents its starkly beautiful black-and-white photos as both a treatise and a love letter. The book’s author, Peter Chadwick, falls resolutely and joyously on the side of Brutalism as an egalitarian, economically progressive, and fundamentally global movement.