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AbandonedArchitecture
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BRUTALIST ARCHITECTURE OF TALLINN

THE COMMUNIST GOVERNMENTS in both the Baltics and Yugoslavia went on a spree of monument-building in the decades after WWII, which, when the ruling paradigms collapsed in the early 1990s, became fraught symbols of a tangled past in the power vacuum of the present. While some of the monuments in these regions were destroyed and others were moved or built around, most have been simply left to age themselves into obsolescence. When the material is concrete, however, the aging-out game can be a long one.

John Peck
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ArchitectureBaltic
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PHOTO GALLERY: HELSINKI NEON AND SIGNAGE

HELSINKI, WITH ITS months-long stretches containing more darkness than light, is a natural fit for neon lighting. For businesses operating in the dark winter months, neon serves as a beacon that invites customers in from the cold. In contrast to other cities, where neon often takes on splashier forms, much of Helsinki’s neon is set in orderly sans-serifs, though here and there bursts of cursive and other stylized types still break through.

John Peck
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ArchitectureBerlin
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A BRIEF GUIDE TO SILENT FILM IN BERLIN

FROM THE VERY earliest days of film, Berlin has made essential contributions to the medium, as both a center of production and a filming location. One of the most legendary silent films of all time, The Cabinet of Dr. Caligari, was made in Weißensee in 1920, part of a golden age when hundreds of films were produced in Berlin’s “Little Hollywood”.

John Peck
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ArchitectureBooks
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HOLIDAYS IN SOVIET SANATORIUMS

AT THE CENTER of the Venn Diagram of Brutalist architecture, spa culture and Communist kitsch lies the Soviet sanatorium. In its heyday, the USSR had a network of hundreds of such centers across dozens of territories, from Estonia to Kazakhstan to the Russian Far East. Though their roots lie in the Russian tradition of curative baths, the sanatoriums of the 20th century shoehorned nicely into Soviet ideals of health and responsible rejuvenation, with workers encouraged to check themselves in yearly for a tune-up of their corporal machinery.

John Peck
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ArchitectureBooks
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ART WITHOUT DEATH: RUSSIAN COSMISM

THE ROOTS OF Russian Cosmism lie in the transcendental utopian writings of the 19th-century philosopher Nikolai Fyodorovich Fyodorov, who advocated for, among other things, the exploration of space and a literal overcoming of death. Inextricably tied to the Russian Revolution and the rise of the USSR, Cosmism promoted broad ideals that mirrored the heart of Communism: that humanity should collectively strive to transcend the petty, temporary, and mundane.

John Peck
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ArchitectureBerlin
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PHOTO GALLERY: PFAUENINSEL

PFAUENINSEL (“PEACOCK ISLAND”), A 100-HECTARE island of forests and meadows on the Havel river, is a singular Berlin curiosity. Its origin as a game preserve dates back to Friedrich Wilhelm I, though it was his great-nephew Friedrich Wilhelm II that first populated the island with the eponymous birds. The island’s current peacock population, descendants of the originals, roam the island freely alongside human visitors (and the occasional pack of grazing sheep), and their distinctive hair-raising calls, which can be heard kilometers away, add to the surreal and otherworldly atmosphere.

John Peck
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