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PHANTOM ARCHITECTURE: THE ORANGE MONSTER OF HANSAVIERTEL

Among the many buildings currently or formerly owned by Berlin’s Technische Universität (TU) are several colorful curiosities, including the Schiffbau, which rises above the Landwehrkanal at the Tiergarten’s western edge (and had a brief cameo in the cult film The Appleand the 60s-era megaliths surrounding Ernst-Reuter-Platz, spanning blocks apiece and often covered in monochrome metal siding. For decades, a lesser-known (but equally colorful) structure sat somewhat north of the campus’ gravitational center, at the far northern end of Englische Strasse on the banks of the Spree.

TU sold the eponymously-named 20 Englische Strasse to the Irish investment group Cannon Kirk, who announced its demolition to make way for a housing development called Englische Gärten. After the sale, though, it sat empty for several years, and was eventually occupied by activists in late 2015, who demanded it be used to house the increasing numbers of homeless refugees in Berlin (article here, in German). On September 10th, police evicted all protesters, and soon after, demolition of the building began in earnest. 

John Peck
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TYPE IN TRANSIT: BERLIN’S WESTHAFEN STATION

Lying at the northern border of Berlin’s Moabit district, just south of the Westhafenkanal on the U9 line, is U-Bahnhof Westhafen. In a city with so many strikingly varied train stations, Westhafen nonetheless stands as one of the most beautiful and unique: since 2000, the entire station has been home to a massive text-based art installation by artists Francoise Schein and Barbara Reiter, under the auspices of the multi-country Inscrire project.

Westhafen is one of 27 stops on the Ringbahn, which means it’s both a U-Bahn and S-Bahn station—but with the latter being a standard, ground-level outdoor station, the texts are limited just to the U-Bahn (i.e. underground) part of the complex and its connecting passages.

John Peck
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MEETING MARZAHN: FROM PLATTENBAUEN TO THE GÄRTEN DER WELT

Marzahn, in the far northeast of Berlin, isn’t exactly a standard Berlin hotspot. You could spend a lifetime in Berlin without ever setting foot in this former GDR suburb, and while it’s easy enough to reach by train or tram, it’s not exactly on the way to any notable destinations, and lies past other eastern attractions like the Tierpark and the Muggelsee. But as Marzahn resident Bertie Alexander writes, “There’s a secret pleasure in not being caught up in the incessant hype and stereotypical lifestyles of Berlin,” which is a sentiment that rings true for many of us who live in the city’s less-hyped outlying districts. (You can read his excellent piece in its entirety here.)

Aesthetically, Marzahn is something of a time-capsule of the former east, particularly in its housing: as examples of Berlin Plattenbauen go, Marzahn is the ne plus ultra in both quantity and quality. Plattenbauen (“panel buildings”, roughly)—the endlessly-reproducible housing towers that could be stacked indefinitely like brutalist Legos—were one of the trademarks of the former East Germany, along with many other communist countries. These towers of white or gray concrete, accented with whimsically-colored balconies, were megalithic kitsch, sky-high projections of dark whimsicality built to offset crises of overpopulation (particularly, in the case of Marzahn, stemming from immigration from Eastern Bloc countries from the 1960s onward).

John Peck
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