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SOVIET SEASONS

PHOTOGRAPHER ARSENIY KOTOV takes a hands-on, boots-on-the-ground approach to photographing his home country. His new book, Soviet Seasons, is the result of traveling vast distances across Russia and the former USSR, with the goal of showing “how beautiful and diverse are the cities and nature of this vast region at different times of the year.” For those outside the former Soviet Union, who could perhaps be forgiven for reducing its seasons to either “snow” or “not snow” with each spanning about half the year, the book reveals wonderful gradients of weather, vegetation, and daylight that accompany seasonal change in various regions.

John Peck
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UNFINISHED METROPOLIS: ONCE AND FUTURE BERLIN

THE GENESIS OF Berlin as we know it today happened just over a century ago, when, on October 1, 1920, the modern city of Greater Berlin (“Groß-Berlin”) was formed from eight adjacent cities and dozens of outlying districts. The formation of this new super-city doubled Berlin’s population from 1.9 million to what was, at the time, a staggering 3.9 million people, making it the world’s fifth-largest city after Tokyo.

John Peck
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TREASURE HUNTING IN THE CONCRETE JUNGLE

BLUE CROW MEDIA IS a London-based publisher of maps, specializing in modernist and brutalist architecture worldwide. The maps are beautifully designed in a classic-modernist aesthetic, and take particular care in their choice of typefaces. The latter point is especially evident in the numerous bilingual maps, many of which use non-Latin scripts including Cyrillic, Georgian, and Hangul. In these maps, both languages get equal space in the layout, sending a clear message that they are intended for locals as well as tourists.

John Peck
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INTERVIEW: DARMON RICHTER

CHERNOBYL: A STALKER’S GUIDE, new from Darmon Richter and FUEL Publishing, is an impressive hybrid: part travelogue, part memoir, part essay. The book weaves together numerous strands of history, mythology, and ecology that intersect at Chernobyl, ranging from Prometheus as an atomic Marxist saint to pop-cultural references like the Fallout games and HBO’s Chernobyl to mushrooms as a potential solution nuclear waste solution. Richter, who has spent decades exploring and writing about what he calls “ideological architecture” (which often, but by no means always, focuses on Communist-era buildings) does an impressive job of unifying these numerous trajectories, resulting in a highly focused and immensely readable study of a fundamentally misunderstood place.

John Peck
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PYONGYANG ARCHITECTURE MAP

EVEN IN YEARS without worldwide pandemics, visiting Pyongyang is exceedingly difficult, if not impossible, for most of the world’s population. But it could be argued that the Pyongyang Architectural Map, the newest such guide from the UK’s Blue Crow Media, is the perfect map for 2020: with travel being such a fraught prospect for the foreseeable future, the role of travel literature (including physical maps) has shifted from supplementing actual journeys to partially or fully supplanting them.

John Peck
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ANOTHER ROADSIDE ATTRACTION: SOVIET SIGNS AND STREET RELICS

IN THE MONTHS and years following the collapse of the Soviet Union, countless Communist-era monuments and statues have been toppled, dynamited, or otherwise destroyed. The process continues today, and is particularly accelerated in former Soviet states such as Ukraine, where clashes between pro-Russian activists and Ukranian nationalists often center around (literal) concrete representations of the country’s former occupier.

John Peck
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CONCRETE SIBERIA

THE POZNAŃ-BASED publisher Zupagrafika documents Brutalist, prefab, and other concrete structures throughout Europe, focusing on their minimalist patterns and colorful flourishes. Their newest volume, Concrete Siberia, is a companion to last year’s Eastern Blocks (see our review here), focusing on Russia’s vast far north.

John Peck
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HUNDERTWASSER FOR FUTURE

FRIEDENSREICH HUNDERTWASSER (1928-2000) WAS an artist, architect, and activist known for his holistic, all-encompassing embrace of nature and ecology in both his life and work. While on the surface his artistic and personal style would seem to place him squarely in the freewheeling hippie milieu of the late 60s, he also possessed a rigorousness and discipline that made him more monk than hedonist.

John Peck
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